Tag: Okuń

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Art for December 7th

Sea Bell Tower, Edward Okuń, 1927

The attack took place on a sunny Sunday morning. A minimal contingent of soldiers was on duty at the time. Most offices on the base were closed and many servicemen were on leave for the weekend. New technology, including the new radar mounted on Opana Point, were in place, manned and functioning at the time of the attack. The incoming Japanese attack planes were detected by the radar and reported, but were mistaken for an incoming group of American planes due from the mainland that morning.

While there were veiled warnings and isolated events of Japanese hostilities in the weeks, days and hours ahead of the attack, no one in command at Pearl Harbor or in Washington, D.C., expected a Japanese attack on Pearl Harbor, especially before war was formally declared. Effective cryptography and successful cryptanalysis were in their infancy at the time. Under-funded, under-manned and under-equipped, cryptanalysts had been ordered to concentrate on Japanese diplomatic traffic, rather than naval messages. The nation would have had a much clearer picture of the Japanese military buildup and, with the warning provided by those messages, might have prevented the disaster of Pearl Harbor.

About 360 Japanese attack planes had launched at dawn from aircraft carriers in an attack force of about 33 ships, under the command of Vice-Admiral Chuichi Nagumo. The strike force had steamed, under the cover of darkness, to about 275 to 200 miles north of Oahu. Once the bombers sighted the island, they split into two groups. One group proceeded overland at low altitude across the island and the other flew over the water around the island to make an approach from the south. At 7:55 a.m., the first bombs and torpedoes were dropped. After two hours, the U.S. sustained 18 ships sunk or severely damaged, about 170 aircraft destroyed, and there were about 3,700 casualties. Japanese casualties were minimal.

Art, Current Events, Poland - Polish - Polonia, , , ,

Return of Stolen Painting and Art for July 30th

Poland has recovered a treasured painting, stolen by Germany during World War II. I had posted Gierymski’s similar painting as my Art-for-the-Day on March 22nd.

From the Guardian: Polish painting returned to Warsaw after 67 years on missing list: Aleksander Gierymski’s Jewish Woman Selling Oranges retrieved after turning up at Hamburg auction house

A valuable 19th century Polish painting missing since the second world war has been returned to Poland after being removed from auction in Germany.

Aleksander Gierymski’s Jewish Woman Selling Oranges was unveiled in Poland on Wednesday by culture minister Bogdan Zdrojewski, who said the return came after many months of negotiations with lawyers representing a German who had possessed it for more than 30 years.

“During those long months, my main thought was to have this picture returned to Poland,” Zdrojewski said.

The work – sometimes referred to as the Orange Vendor – dates from 1880-1881 and is one of several Gierymski works showing Jewish life in poor parts of Warsaw.

The oil on canvas shows an old woman in a cap and with a thick shawl over her shoulders knitting as she holds two baskets, one filled with oranges. She has shrunken cheeks that give her an impoverished look, and is set against a foggy Warsaw skyline.

It has been returned to its original home in the National Museum in Warsaw, where it will undergo many months of renovation.

Museum director Agnieszka Morawinska described it as a “priceless masterpiece” that pleased the painter, rarely content with his own work.

Its return is a “very special day and a true gift for the museum”, she said.

The picture went missing from the museum in 1944, five years into Nazi Germany’s occupation of Poland.

It was among a huge numbers of cultural artefacts stolen by German and Soviet forces during their joint wartime occupation of Poland. The country’s government is making efforts to find and bring the works of art back.

The painting resurfaced last November among items offered for sale at a small auction house near Hamburg.

Poland’s chief insurer, PZU SA, paid an undisclosed sum in compensation to the German who had acquired the painting.

Of note, Gierymski painted two similar works: “Żydówka z cytrynami” and “Żydówka z pomarańczami” literally “Jewess with Lemons” and “Jewess with Oranges.”

Gazetta Wyborcza notes in Pomarańczarka w areszcie from November 2010, that Gierymski’s “Jewish woman with oranges” was looted from the National Museum in Warsaw during the war. His other, similar work, “Jewess with Lemons” is on display at the Upper Silesian Museum in Bytom. Both paintings have different details, but express the same emotions and situations: toil, the bitterness of existence, persistence in spite of lost illusions, a lonely, tragic, damaged figure pushed down but not broken, and ultimately beautiful.

An example of oranges and lemons together in today’s painting: “Pomarańcze i cytryny,” “Oranges and Lemons” by Edward Okuń.

Oranges and Lemons, Edward Okuń, 1928