Dr. John Guzlowski reflects on freedom in Bob Dylan’s Subterranean Homesick Blues and tries to find the best cover in “Subterranean Homesick Blues” Covers.
Back in the old days before anybody had air-conditioning, my mother, a Polish woman from the old country, felt that the surest cure for hot weather was szczawiowa zupa, shchav, swiss chard soup.
She’d get up early on a day that promised to be in the high 90s, and she’d fix schav. It wouldn’t take long and it didn’t require a lot of cooking, so it didn’t heat up our apartment. When she had it prepared, she’d stick it into the refrigerator to cool off. In the evening, she’d serve it for dinner when it was in the 90s both outside and inside.
Believe me, it always took the temperature down 10 degrees.
Give ear, O Shepherd of Israel,
thou who leadest Joseph like a flock!
Thou who art enthroned upon the cherubim, shine forth
before E’phraim and Benjamin and Manas’seh!
Stir up thy might,
and come to save us!
Restore us, O God;
let thy face shine, that we may be saved!
The founding members of Coptic Solidarity, held a conference, June 19th-20th, to launch the activities of their new organization.
The gathered members elected Adel Guindy as president, and a ten-member Executive Committee. Attending and speaking were Dr. Dwight Bashir, deputy director of USCIRF; Tina Ramirez, congressional fellow; Taniel Koushakjian, director of Grassroots at the Armenian Assembly; Pierro Tozzi, senior legal counsel at the Alliance Defense Fund; and Dr. Walid Phares, professor of political science and senior fellow at the Foundation for the Defense of Democracies.
Coptic Solidarity’s overall mission is to “empower the Copts in Egypt to help them attain full and inalienable citizenship rights and equality, under secular constitution and laws; drawn in accordance with current international standards set by Human Rights conventions.”
For more on the persecution of Coptic Christians (and the reason for the Coptic tattoo tradition) see Missing the point of Coptic tattoos from GetReligion.
In Haczów, Poland 83 year old Stanisław Wyżykowski has been hand crafting Hurdy-gurdies. He has built more than sixty since 1967.
Mr. Wyżykowski built his first Hurgy-gurdy for the late actor, Wojciech Siemion. It was modeled after an instrument owned by his family.
His instruments are primarily purchased by music groups, museums, and fans of the instrument in Germany, Sweden, the United States, New Zealand, Australia, Hungary, Ukraine, and Slovakia.
Mr. Wyżykowski is a carpenter by profession. For several years he played in folk bands. In addition to Hurdy-gurdies he produces cymbals, double bass, and classic violins which look like sticks. He has also trained several students.
W Haczowie na Podkarpaciu żyje najstarszy i jeden z nielicznych w Polsce wytwórca lir korbowych. 83-letni Stanisław Wyżykowski od 1967 roku zbudował ponad 60 lir, które znalazły nabywców w kraju i za granicą.
Pierwszą lirę zbudowałem dla świętej pamięci Wojtka Siemiona. Wzorowałem się na instrumencie, który był własnością mojej rodziny – powiedział Wyżykowski.
Większość wyprodukowanych przez niego instrumentów trafiło do zespołów muzycznych i muzeów.
Wśród nabywców są miłośnicy tego instrumentu z Niemiec, Szwecji, Stanów Zjednoczonych, Nowej Zelandii, Australii, Węgier, Ukrainy, Słowacji. Wielokrotnie liry korbowe Wyżykowskiego były wypożyczane jako rekwizyty do filmów i spektakli.
Wyżykowski z zawodu jest stolarzem. Przez kilkadziesiąt lat grał także w kapelach ludowych. Najczęściej można go spotkać w jego pracowni w Haczowie.
Nie brakuje mi zamówień. Bywa, że pracuję po kilkanaście godzin dziennie. Dzięki Bogu zdrowie dopisuje – mówi 83-latek.
Oprócz lir wytwarza także cymbały, kontrabasy i oryginalne skrzypce. Te ostatnie swoim wyglądem przypominają laski. Wykształcił kilku uczniów.
Lira korbowa znana była w Europie od wczesnego średniowiecza. Jej popularność przypada na X-XIV wiek, później stała się instrumentem muzyków ludowych. Do dziś można ją spotkać w składach niektórych kapel ludowych Ukrainy, Białorusi, Słowacji czy wschodnich regionów Polski.
Instrument posiada gitarowy korpus rezonansowy i skrzynkę z komorą kołkową, wyposażony jest w 1-2 struny melodyczne oraz 2-4 struny boczne. Wszystkie struny pocierane są nie smyczkiem, lecz wmontowanym w instrument drewnianym kółkiem natartym żywicą i obracanym za pomocą korbki.
The Hurdy-gurdy has been present in Europe since the early Middle Ages. It became an instrument of folk musicians. To this day it can be found among traveling folk bands from Ukraine, Belarus, Slovakia, and eastern Poland. It is still is played by professional, often blind, itinerant musicians known as lirnyky. Their repertoire is primarily para-religious in theme, although it includes many historic epics known as dumy and folk dances.
These itinerant musicians were heavily persecuted by Russian authorities up to 1902. The persecution reached its peak during the 1930’s when Soviet authorities deemed Ukrainian traveling musicians who played the Hurdy-gurdy to be an “undesireable” element. They organized an ethnographic conference for the lirnyky, and at that conference the 250-300 lirnyky attending were executed.
Here is Andrey Vinogradov playing and chanting at traditional Russian round dance:
The Polish Community Center at 225 Washington Ave Ext, Albany, NY is hosting a Polish Summer Festival 2010 on Saturday, July 17th from 2:30-8:30pm and Sunday, July 18th from 2-7pm.
Saturday’s activities include music by the Maestro’s Men & Stephanie’s Honky Band, a Polish- American kitchen with take-out available, a Polish Cultural Exhibit, as well as a Basket Raffle, bake sale, and an imported Polish beer tasting. Saturday admission is $15. Children 16 and under free.
Sunday is Family Day with kids activities, games, and a Bouncy Bounce. There will also be a participatory pierogi making demonstration. Music by the Polka Family Band with special appearance by “Hexplay” reunion from 5-6 pm. The St. Adalbert’s Dance troop will perform and the Polish- American kitchen, Polish Cultural Exhibit, as well as a Basket Raffle, bake sale, and an imported Polish beer tasting will continue. Sunday admission is $12. Children 16 and under free.
Advance ticket price for Saturday and Sunday is $22, a $5 savings. Advance tickets must be purchased and paid-in-full by July 9th.
The PCC has a spacious dance floor, plenty of parking. All Are Welcome!
In my opinion, the most extravagant, most fun Dyngus day is in Buffalo, NY. It is everything you would ever want in a city that celebrates the heritage of one-third of its residents — good strong horseradish, fresh kielbasa, and Polka dancing.
When you need a break from the breakneck partying check out the Polish Cafe at the Polish Army Veterans Post, 617 Fillmore Ave., Buffalo, right along the route of the Dyngus Day Parade, which starts at 5pm. The Cafe will feature homemade pastries, Polish soup (zurek), stew (bigos), and coffee while listening to acoustic music, starting at 4:30 p.m. The Polish Legacy Project is sponsoring the event.
Fisherman’s Friends, is an emerging vocal group from Port Isaac in Cornwall. The group of 10 includes former or current fishermen, coast guardsmen and marine rescuers. For nearly 15 years they have gathered on evenings by the shore or in local pubs to have a few beers and sing sea shanties.
The group has recorded two CDs with their own interpretations of shanties. A vacationer recently came across them at the pub where they normally gathered and saw the potential. That vacationer was record producer Rupert Christie who brought them to Universal’s attention. The group signed with Universal this March.
The group’s prior two CD’s will soon be joined by a third. Their first album was recorded in a fifteenth-century church in St. Kew, Cornwall (the video above). They have also been invited to sing at the Glastonbury summer music festival.
The Consulate General of Poland in New York cordially invites you to attend the violion recital of Ania and Piotr Filochowski accompanied by Jeeyoung Hong, piano on Saturday, March 6, 2010 at 5 PM. The event is free and open to the public. Registration is required. Seating is limited. First-come, first-served. Latecomers will not be admitted during the performance.
Ania and Piotr Filochowski will be performing the works of: Ludwig van BEETHOVEN, Felix MENDELSSOHN, Johann Sebastian BACH, Niccolò PAGANINI, Eugène YSAYE, Fryderyk CHOPIN, Wolfgang Amadeus MOZART, and Piotr TCHAIKOVSKY. Of note, the program will include several beautiful transcriptions of Chopin’s works in celebration of the anniversary of Chopin’s 200th Birthday this March.
The Consulate General of Poland in New York
233 Madison Ave.
Jan Karski Corner
New York, NY 10016
If you have any questions about the event, please contact the Consulate at: (646) 237-2112 or by E-mail.
2010 marks the 200th anniversary of Fryderyk Chopin’s birth. In honor of the occasion iTunes is highlighting Alice Sara Ott’s album of Chopin waltzes. You can take a sample listen at the iTunes website.
Fryderyk Chopin was born March 1, 1810 at the village of Żelazowa Wola, in the Duchy of Warsaw. He was regarded a child-prodigy pianist. He left Poland for good on November 2, 1830 for a trip to Italy. The outbreak of the Polish November Uprising seven days later, and its subsequent suppression by Russia, led to Chopin’s becoming one of many expatriates of the Polish Great Emigration.
Settling in Paris, Chopin worked as a composer and piano teacher, while giving few public performances. Chopin remained an ardent Polish patriot throughout his short life. For the greater part of his life Chopin suffered from poor health; he died in Paris on October 17, 1849 of pulmonary tuberculosis.
Chopin’s compositions, of which there are over 230, were written primarily for the piano as solo instrument. Though technically demanding, they emphasize nuance and expressive depth rather than sheer virtuosity. Chopin invented musical forms such as the instrumental ballade and was responsible for major innovations in the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude.
Alice Sara Ott, a German-Japanese pianist, was born in Munich in 1988. Her second compilation, noted above, is a series of complete waltzes by Frederic Chopin.
The following is Piosenka litewska from Chopin’s Polish Songs, Op. 74
The Consulate General of Poland in New York cordially invites you to attend the violion recital of 
2010 marks the 200th anniversary of Fryderyk Chopin’s birth. In honor of the occasion iTunes is highlighting