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Christian Witness, Perspective, Political, , , , ,

Extend unemployment insurance – action needed

Leaders in the House majority plan a vote on HR 3630—a bill that would slash federal unemployment benefits in every state and cut federal UI benefits by more than half in the Renew unemployment insurance UIstates with the highest unemployment rates. Tell your Members of Congress and Congressional leaders to oppose these reckless and harmful cuts to unemployment insurance, and instead support swift action to fully renew the federal UI program through 2012.

Millions of hardworking Americans—nearly 2 million in January alone, and over 6 million in 2012—will be cut off from the emergency lifeline of federal unemployment insurance, unless Congress acts to fully renew the program before it expires December 31st. In the past three years, federal unemployment insurance has helped more than 17 million Americans while they’ve looked for work in the toughest job market since the Great Depression. Recent Census figures show that federal unemployment insurance helped keep more than 3 million from falling into poverty last year alone.

A January 2010 report from the nonpartisan Congressional Budget Office (CBO) looked at a variety of strategies for increasing employment and raising the gross domestic product (GDP), which is the market value of all goods and services that reach the consumer. It noted that for every dollar in UI benefits, $1.90 in economic benefit is created. The CBO looked at a variety of strategies to boost the economy — or to keep things from getting worse — such as investing in infrastructure, reducing income taxes, or cutting payroll taxes for companies that hire new people. Increasing aid to the unemployed offered the biggest bang for the buck, according to its estimates. Other studies such as that by Mark Zandi, chief economist for Moody’s Analytics, note similar results.

Congress has never cut back or allowed these programs to expire when unemployment was anywhere near this high for this long. Congress must act, and act now.

Tell Congress: Renew the full federal Unemployment Insurance program through 2012 Now! or call toll-free 1-888-245-3381.

Poland - Polish - Polonia, , , , , ,

Discovering a city in the midst of a lost era

Warsaw 1935, a new film which provides an opportunity to view a city and discover an era. Warsaw, the metropolis called “The Paris of the North” in all its prewar glory. The film is a reconstruction in film and realized in 3D!

1935 Warsaw explores the deeper reality of ​​our recent past. Until now we could only view the Warsaw of 1935 through old photographs, just shadows and outlines of the city. These photos only built a partial picture of the beauty, cultural richness, and sense of a Warsaw that existed 75 years ago. It is summer 1935 in Warsaw. We see a day in the life of this beautiful and proud city.

The movie, in three parts:

  • Part One – The action of downtown Warsaw and Marszałkowska Street
  • Part Two – The Saxon Garden and the Old Town.
  • Part Three – The area that became the Warsaw ghetto in its original, natural, and life filled form.

The surprising story of one city … 75 years ago. See it, for the first time. Early 2012.

WARSZAWA 1935 OFICJALNY ZWIASTUN from NEWBORN HD on Vimeo.

Christian Witness, Perspective, , , , , ,

Prayer Vigil for the 1%

Interfaith Worker Justice will hold a Prayer Vigil for the 1% tomorrow, December 8th. You are invited to pray along, starting at 11 a.m., for the wealthiest Americans. We are calling on them to help us create an economy that works for 100 percent of us.

If you are on Facebook, you may RSVP to the Online Prayer Vigil. Then, tomorrow at 11 a.m., change your Facebook status to say: Praying for the One Percent: to whom much is given, more is required — Luke 12:48.

While thousands of unemployed workers and people of faith gather in Washington, D.C. tomorrow for a Flower Prayer Vigil for the 99 percent, I will be praying along with IWJ for the One Percent – the wealthiest Americans who have benefitted from unfair economic policies.

Please join in prayer, even if you’re not on Facebook.

On Tuesday, Dec. 6, IWJ’s national Board of Directors released “An Open Letter to the One Percent:”

To Whom Much Is Given, More is Required:
An Open Letter to the One Percent

During this time of financial crisis and economic disparity, we affirm the God-given dignity of every person. We believe God loves all 100 percent of us and wants to use us to create a more just society.

As faith leaders, we appreciate the generosity, charity, and commitment to the common good that many of you embody.

Still, some of you have used wealth and power to benefit the few at the expense of the many. We expect you to work with us to not only give generously, but to advocate for democracy and economic justice that works for everyone.

We call on you to:

  • Support tax policies and legislation that require more from you so our nation can create good jobs in America
  • Call for an extension of unemployment benefits for those unable to find work

As Dr. Martin Luther King, Jr. said, “We are all caught in an inescapable network of mutuality, tied in a single garment of destiny.” We are in this together, all 100 percent of us.

National Board of Directors, Interfaith Worker Justice

Perspective, Poland - Polish - Polonia, Political, , , , , , ,

On Veteran’s Day

For my dad, grandfather, and all our Veterans. May their service and sacrifice be honored.

My dad, Louis T. Konicki at Mainz-Bischofshein - part of the post WWII occupying forces

Our veterans are now returning from Afghanistan and Iraq, and of course are greeted with initial joy. Then they face the search for work and the struggle with the horrors they have faced. They face a lack of adequate physical and mental health care. As to jobs, what are our veterans finding? An extraordinarily difficult job market with an unemployment rate for combat-age veterans at 17.5% in New York State, 13.3% nationally.

Dr. John Guzlowski reflects in November 11, 1918–The Day World War I Ended

I first heard of World War I when we came to America as Displaced Persons in 1951. We were refugees after World War II, and we moved into a basement apartment on Hamilton Street in Chicago.

Our landlord was a veteran of the First World War. He was a Polish American named Ponchek. He was also a drunk, but that wasn’t anything special. There were a lot of drunks around. What made Ponchek special was that he had a steel plate in his head. As a kid and a recent immigrant to America, he had been drafted and sent to France to stop the Germans who were trying to rip France apart and shove it into the Atlantic. He ended up in the trenches in France in late October fighting the Germans, and a bullet took off the top of his head. The doctors cut away what bone they could, cleaned out the wound, and screwed a steel plate into the skull bone.

This fascinated me when I was a kid. I wondered about that plate, and what it felt like. Did Ponchek always feel a weight pressing down on his head? Was it like wearing a steel hat? A steel helmet? And I wondered what they covered the plate with. Skin? And where did it come from? Was it his skin or someone else’s? I never could ask.

Like a lot of the veterans I knew, he was frightening. He wasn’t a guy you wanted to spend a lot of time talking to.

Veterans were men who limped. They dragged their legs behind them like Lon Chaney in the Mummy movie. They were men who had wooden legs that creaked when they walked past you and the other kids sitting on the stoop. These veterans had no arms or only one arm, or were missing fingers or hands, or ears.

My dad, a guy who lost his left eye when he was clubbed by a Nazi guard in a concentration camp, used to go to a bar where the owner had a black, shiny rubber hand. He lost his real hand during the Warsaw Uprising in 1944 when he shoved a homemade grenade into the steel treads of a German tank. The black rubber hand was like some kind of weird toy. Sometimes, it looked like a black fist, sometimes it looked like an eight ball.

Sometimes, a vet without arms or legs sat on the sidewalk in front of this bar. He had a cloth hat in front of him, and he was selling pencils. He’d sit there smiling, making chit chat with the guys walking in and out of the bar. You’d toss him a nickel, and you could take a pencil, but most guys didn’t. Who needs a pencil?…

A musical reflection – “Sargent Mackenzie”

Original Scottish Version

Lay me doon in the caul caul groon
Whaur afore monie mair huv gaun
Lay me doon in the caul caul groon
Whaur afore monie mair huv gaun

When they come a wull staun ma groon
Staun ma groon al nae be afraid

Thoughts awe hame tak awa ma fear
Sweat an bluid hide ma veil awe tears

Ains a year say a prayer faur me
Close yir een an remember me

Nair mair shall a see the sun
For a fell tae a Germans gun

Lay me doon in the caul caul groon
Whaur afore monie mair huv gaun

Lay me doon in the caul caul groon
Whaur afore monie mair huv gaun

Whaur afore monie mair huv gaun

English Translation

Lay me down in the cold cold ground
Where before many more have gone
Lay me down in the cold cold ground
Where before many more have gone

When they come I will stand my ground
Stand my ground I’ll not be afraid

Thoughts of home take away my fear
Sweat and blood hide my veil of tears

Once a year say a prayer for me
Close your eyes and remember me

Never more shall I see the sun
For I fell to a Germans gun

Lay me down in the cold cold ground
Where before many more have gone
Lay me down in the cold cold ground
Where before many more have gone

Where before many more have gone.

Poland - Polish - Polonia, , , , , ,

Poland’s Emigration Museum and the story of immigration

Maritime Station at 1 Polska Street in Gdynia was a port building commissioned in 1933. It served passenger traffic, including thousands of emigres who left Poland to resettle in distant lands. Because of the building’s strong relationship to the history of emigration, and its location at the hub of emigration routes, the building has been revitalized and now houses the Emigration Museum.

The Museum is seeking input for its Portrait Of An Emigrant Collection. This Collection of emigration stories will assist in recreating the history of Polish emigration through family albums, memoirs, and diaries. The collection seeks: Stories of emigrants; Recollections of departures, homesickness, home, family, and work; News of the new world, new people, new habits, and new motherlands; Reports of family life, children, education, learning a foreign language, us and them; Photos of farewells in the old country; Family stories about those who left and those who stayed; and The tales of relatives, acquaintances, and old friends.

Each of these is a start of a new history; the stories and illustrations that make up the collective portrait of the emigration epic. This history composed of individual fate –- ordinary, stormy, and sometimes dramatic is compelling. The Museum is compiling the collection of emigration from the stories of individuals and their archival photos.

Contact the Museum or Mr. Aleksander Gosk by E-mail for more information.

Events, Poland - Polish - Polonia, , , ,

Traveling photographic exhibition, “Katyn: Massacre, Politics, Morality”

The University of Wisconsin-Milwaukee (UWM) Golda Meir Library is hosting the traveling photographic exhibition, “Katyn: Massacre, Politics, Morality,” from November 7-27 in the 1st floor east wing of the Library.

The exhibit recounts the execution of 21,857 Polish troops and civilians in the Katyn Forest by the Soviet KGB during World War II, and the decades-long suppression of the truth about the atrocity.

Created by Poland’s Council for the Protection of the Memory of Struggle and Martyrdom, the exhibit debuted last May in the Rotunda of the Russell Senate Office Building in Washington D.C. and has traveled to the Hoover Institute at Stanford University and the Buffalo NY Public Library.

In conduction with the exhibit, the UWM Libraries will host a panel discussion, “The Katyn Forest Massacre: The Crime, the Coverup, the Historical Legacy,” on Wednesday, November 9 at 7 p.m. in the fourth floor Conference Center of the Golda Meir Library, 2311 E. Hartford Ave.

Participants are Douglas W. Jacobson, author of The Katyn Order: A Novel; Michael Mikos, Professor, UWM Dept. of Foreign Languages and Literature; Neal Pease, Professor, UWM Dept. of History; and Donald Pienkos, Professor Emeritus, UWM Dept. of Political Science.

The panel discussion and the exhibit are free and open to the public. For more information or special needs, call 414-229-6202.

Poland - Polish - Polonia, , , ,

Film: Remembrance

From J: Wartime love, escape propel immersive ‘Remembrance’

To those who swore they’d seen enough Holocaust-themed films to last a lifetime: Rescind your vow, just this once.

The German drama “Remembrance” (“Die Verlerone Zeit”) is that good. It’s better than good, in fact. It’s unforgettable.

Anna Justice’s fact-based saga relates a tale of escape from war-torn Poland nearly as incredible as Agnieszka Holland’s jaw-dropping “Europa Europa” did two decades ago. At the same time, “Remembrance” cuts between the past and the present (circa 1976) with far greater emotional force than the recent “Sarah’s Key” mustered.

The generator of all that power is a pressure-cooker love affair portrayed with such urgency, immediacy and intensity that it makes every screen romance you’ve seen in the last 10 years look like a foolish game of charades.

In other words, “Remembrance” is the whole package. This is the rare film that’s epic in scale and reach, yet effortlessly capable of touching every viewer.

“Remembrance” receives its North American premiere Tuesday, Oct. 25 in the Berlin & Beyond Film Festival at the Castro Theatre, in a co-presentation with the San Francisco Jewish Film Festival and the honorary consul of Poland. The film is preceded by Werner Biedermann’s seven-minute short “Laula,” an artful ode to his relatives who perished in the Holocaust.

“Remembrance” begins in a gray concentration camp in Poland in 1944, where German Jew Hannah Silberstein (Alice Dwyer) scrubs floors in the bakery and tries to be invisible. That’s the best survival strategy, she’s learned, and her mastery of it is a big reason she makes it through the war.

I’m not giving anything away, for we’re immediately, and jarringly, shown her comfortable life in Brooklyn. Now Hannah Levine (Dagmar Manzel), she’s picking up a tablecloth from her neighborhood cleaners for a party that night when she’s stunned to overhear a television interview with a middle-age Polish ex-partisan.

Her world thrown off its axis, Hannah spends the evening ricocheting between frantic action and distracted reverie, to her husband’s puzzlement and frustration.

Tomasz Limanowski, the gentle non-Jew Hannah glimpsed on TV, is the other reason she’s alive. He was a fellow prisoner and they were secret lovers — which may sound impossible but is presented in an utterly convincing manner. (Bribery, along with Nazi efficiency and fear, kept the camps running, apparently.)

A plan has been concocted to spring Tomasz from the camp with a roll of film exposing Nazi abuses. In an impulsive and breathtaking act of courage and devotion, he takes Hannah with him…

Events, Poland - Polish - Polonia, , , , , , ,

Polish Film Festival ’11

Come see the latest award-winning Polish films and meet some of the people who made them at Canisius College in Buffalo, New York.

All films screened at the Canisius College, Montante Cultural Center, 2011 Main St, Buffalo. “IRENA SENDLER: “In the Name of Their Mothers” will be shown in the Student Center on Hughes St. (off Main). All films have English subtitles and are subject to change. Admission is $5. Tickets available at the door. Admission to “IRENA SENDLER: “In the Name of Their Mothers” is free.

For more details on the films, please visit the Permanent Chair of Polish Culture’s events page.

Polish Film Festival 2011 at Canisius College, Buffalo, NYMonday, November 7
7:00 IRENA SENDLER: “In the Name of Their Mothers” The latest documentary about the Polish Catholic women who saved Jewish children during WWII.
MEET THE DIRECTOR: Mary Skinner
Co-Sponsored with The Polish Legacy Project-WWII
Screened in the Student Center, Hughes St.

Thursday, November 10
7:00 WYGRANY – “The Winner” (Drama, 2011) The story of a young pianist. After losing everything, an accidental meeting with his former math teacher and avid horsetrack gambler helps him find his way in life. Dir. Wiesław Saniewski

Friday, November 11
7:00 ŚLUBY PANIENSKIE – “Maiden Vows” (Comedy, 2010)
Film adaptation of the early 19th century comedic play by Aleksander Fredro, still popular in Polish theatres.
Dir. Filip Bajon

Saturday, November 12
7:00 CZARNY CZWARTEK – “Black Thursday” (Drama, 2010) This film is dedicated to the workers’ strikes that swept over Polish coastal cities in December of 1970, only to be brutally crushed by communist authorities. The film focuses on the story of the family of one of the Gdynia shipyard workers.
Dir. Antoni Krauze

Sunday, November 13
3:00 MEET THE PRODUCER of LABYRINTH Fr. Ron Schmidt, S.J.

3:30 LABYRINTH (Documentary, 2010)
Memory, art and hell collide as an Auschwitz survivor finally confronts the horrors of his past after 50 years of silence. Unable to speak after a stroke, he draws the scenes he witnessed as one of the first prisoners of the camp.

4:00 JOANNA (Drama, 2010). WWII under Nazi rule. Gripping story about Joanna, a Polish woman to whom fate presents a split-second choice: whether to hide a young Jewish girl she finds sleeping in a church.
MEET THE DIRECTOR: Feliks Falk

Sunday’s events co-sponsored by: The Joseph J. Naples Conversations in Christ and Culture Lecture and Performance Series and The Polish Legacy Project-WWII

Free Parking across Main Street, Lyons Parking Lots #1, 2, and 4. For information contact the Canisius College Department of Modern Languages, Literatures and Cultures at 716-888-2835.

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