Tag: Culture

Poland - Polish - Polonia, , ,

California’s Polonia – Historical research library on-line

The Polish Club of San Francisco has published an archive of historic newspaper articles referencing the Polish community in California. These links to actual newspaper articles, some dating back to 1850, chronicle the immigration of Poles to California, major world events as experienced and interpreted by these immigrants, and the Polish art, music, and literary scene.

Good friend, M. Mroczek Morris, compiled this work. Thank you and God bless you for this contribution to our historical narrative.

Poland - Polish - Polonia, ,

Pączki day is almost here

From TimeOut Chicago: A very Fat Tuesday

Calling paczki doughnuts is like calling Lady Gaga a bit flamboyant. Paczki (pronounced —poonch-key—) are fried rounds of spongy, eggy, yeasty goodness, and while many cultures have their own takes on them, no one goes bananas for them like the Poles, especially the week before Lent. Follow our paczki primer for a deep-fried Fat Tuesday…

Smacznego! Enjoy!

Perspective, Political, ,

Libertarian faith

From Christian Newswire: Lithuanian Priest and Free Market Advocate to Receive Acton Institute’s 2010 Novak Award

Lithuanian scholar and Roman Catholic priest, Fr. Kstutis Kevalas, is the winner of the Acton Institute’s 2010 Novak Award.

During the past nine years, Fr. Kstutis Kevalas has initiated a new debate in Lithuania, introducing the topic of free market economics to religious believers, and presenting a new set of hitherto unknown questions to economists. Fr. Kevalas is a respected figure and well known expert on Christian social ethics, the free market, and human dignity to the people of his home country. In addition to his active work as a speaker and pastor at national events, he serves as a lecturer on moral theology at Vytautas Magnus University in Kaunas, Lithuania.

After studies at the Kaunas Priest Seminary and St. Mary’s Seminary and University in Baltimore, Md., Fr. Kevalas was ordained to the priesthood in 2000. In 2001, he received his Licentiate Degree in Theology writing the thesis “Catholic Social Teaching and Economic Development: A Case Study of Lithuania.” He received his Doctorate in Sacred Theology with his thesis on “The Origins and Ends of the Free Economy as Portrayed in the Encyclical Letter Centesimus Annus” in 2008.

Named after distinguished American theologian and social philosopher Michael Novak, the Novak Award rewards new outstanding research by scholars early in their academic careers who demonstrate outstanding intellectual merit in advancing the understanding of theology’s connection to human dignity, the importance of limited government, religious liberty, and economic freedom…

Art, , , ,

Forged Power at the Arizona State University Art Museum

Forged Power is an ASU Art Museum Moving Targets Initiative featuring the work of Ferran Mendoza, Alvaro Sau and William Wylie. The exhibit will be at the Arizona State University Art Museum from February 20 —“ May 29, 2010.

Friday Conversations @11 series, Feb. 19
Spring Season Reception, Feb. 19 from 7-9pm

Ferran Mendoza & Alvaro Sau, Outdoors, High Definition Video, 2009
William Wylie, Carrara series, Cavatori, The Block, Dust, Friction, Digital Video, 2006

In the digital age, the way we engage with physical work has shifted drastically. Such shifts are not new and have occurred over the course of human history – from the invention of simple tools, to the industrial revolution, to our current digital society. But as technologies continue to advance, our control and power appear to diminish, not only in our work, but also of our bodies. The body’s relationship to work continues to be less physical. We use mechanical arms to lift both heavy and light objects into place, and vacuums now roam floors on their own. A document that once took the entire use of one’s arm to handwrite can now be created with light touches of computer keys. With voice activation and eye-tracking technologies entering the mainstream consumer market, the hand may soon be removed altogether from the process of work.

Spanish artists Ferran Mendoza and Alvaro Sau traveled the Basque-French border region. The artists refer to it as —this kind of frontier land which we call the outdoors,— a territory of Europe where the —most archaic ways of living coexist with the omnipresent industrial world.— Using their cameras, Mendoza and Sau captured, in high definition video, the residents of this seemingly isolated region in their daily routines and surroundings. The result of their journey is the video OUTDOORS (2008), a 56-minute work that delivers a composition of portraits. These portraits provide fleeting glimpses of individuals who take pride in their independence, work and knowhow. Their knowledge of their tools, their environment and how their bodies interact with each is clear and poetic; they perform their tasks as if every specific activity or action has been choreographed.

In the historic quarries of Carrara, Italy, the cavatori (stonecutters) have worked for centuries excavating large slabs of white marble from the earth. Through a fellowship exchange, artist William Wylie was provided the opportunity to spend time observing the everyday operations and interactions of the men who work in these famous quarries, the very quarries used by artists from Michelangelo to Louise Bourgeois. What at first appears to be a focus on machinery is soon realized to be a study of human activity and control. While trucks and machinery within these digital videos appear to struggle and battle to complete tasks, the cavatori work with their hands – making precision measurements and chiseling slight grooves. The artist captures in his Carrara series, Cavatori, The Block, Dust, and Friction (2006), the gestural engagements of the hand and body as the stonecutters work together, using signals and whistles, to coordinate their movements within the noise and chaos of the industrial site. Together these four videos demonstrate that the actions of work can be perceived as beautiful in and of themselves.

The individuals captured in these videos control their own actions by working with their hands and bodies. They do more than just push a button; they exert human energy and create an effect through the power of their own body. Retaining the capability of doing work or accomplishing tasks with the use of the physical body, their forged power is a reaffirmation of human capability.

William Wylie will be in attendance at ASU Art Museum to present a free lecture on a yet to be determined date. He will also meet with students and classes while in Tempe.

Curated by John D. Spiak, Curator, ASU Art Museum.

The exhibition and programs are generously supported by Helme Prinzen Endowment, ASU Art Museum Advisory Board, ASU School of Art and the Department of Photography, and Northlight Gallery at ASU.

Arizona State University Art Museum
Mill Avenue @ 10th Street
Tempe, AZ 85287-2911

Poland - Polish - Polonia, , , , , , , ,

Chopin’s 200th

2010 marks the 200th anniversary of Fryderyk Chopin’s birth. In honor of the occasion iTunes is highlighting Alice Sara Ott’s album of Chopin waltzes. You can take a sample listen at the iTunes website.

Fryderyk Chopin was born March 1, 1810 at the village of Żelazowa Wola, in the Duchy of Warsaw. He was regarded a child-prodigy pianist. He left Poland for good on November 2, 1830 for a trip to Italy. The outbreak of the Polish November Uprising seven days later, and its subsequent suppression by Russia, led to Chopin’s becoming one of many expatriates of the Polish Great Emigration.

Settling in Paris, Chopin worked as a composer and piano teacher, while giving few public performances. Chopin remained an ardent Polish patriot throughout his short life. For the greater part of his life Chopin suffered from poor health; he died in Paris on October 17, 1849 of pulmonary tuberculosis.

Chopin’s compositions, of which there are over 230, were written primarily for the piano as solo instrument. Though technically demanding, they emphasize nuance and expressive depth rather than sheer virtuosity. Chopin invented musical forms such as the instrumental ballade and was responsible for major innovations in the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude.

Alice Sara Ott, a German-Japanese pianist, was born in Munich in 1988. Her second compilation, noted above, is a series of complete waltzes by Frederic Chopin.

The following is Piosenka litewska from Chopin’s Polish Songs, Op. 74

Art, Political, ,

The Art of Gaetano Porcasi

I received a comment on a post in relation to the art of Gaetano Porcasi. The comment really didn’t fit the post, and does not really appear to be a spam comment either. I checked out the artist’s website and enjoyed what I found there. You may as well – sort of a retrospective on Sicilian village life and the affect of corrupt power on the lives of common people.

Gaetano Porcasi is a Sicilian artist and school art teacher. His paintings are considered unique not only for their social and political commitment but also for the technique and choice of typical Mediterranean colours from which a strong and deep Sicilitudine (Sicilian mood) emerges.

The 2003 itinerant exhibition Portella della Ginestra Massacre is a good example: in 1947 a group of Sicilian farmers was shot and killed in Portella by the outlaw Salvatore Giuliano and his men under orders from the local Mafia mobsters and big landowners in order to stop the farmers’ attempts to occupy and plant uncultivated local land. His historical paintings which denounce the violence and oppression of the Mafia find their counterpart in his paintings which depict sunny Sicilian landscapes rich in lemon, orange and olive trees, in prickly pear, agave and broom plants. They show the wealth of a land that has been kissed by God but downtrodden by man.

In painting the sky of his native Sicily Gaetano uses several different hues of blue and it’s from this sky that his pictorial journey starts. In his paintings the history of Sicily, which has always been marked by its farmers’ sweat and blood and by their struggles for freedom and democracy, finds its pictorial expression in the fusion of the red flags of the workers with the Italian flag in a sort of Italian and Mediterranean epopea. The red flags and the Italian flag stand out against the blue sky that changes its hues according to the events, the seasons, the deeds and the moods that are painted on the canvas. The luxuriant nature of Sicily with its beautiful, sunny, Mediterranean landscapes seems to remain the silent, unchangeable and unchanged witness to events and the passing of time. Here people are only accidenti, they aren’t makers of their own life. Thus Gaetano makes a clear-cut metaphysical distinction between a benign, merciful nature and Man who breaks the natural harmony to satisfy his wild, unbridled ambition and selfishness and who becomes the perpetrator of violence and crime. Gaetano is also an active environmentalist and his fight against all forms of pollution has already cost him a lot.

Poland - Polish - Polonia,

The art of Agnieszka Solawa

Currently in an ongoing art exhibit of paintings on glass at the Summit NJ Public Library. Her work can be found on the web here.

My goal is to introduce to the American Artists and Public the forgotten and sublime art of Reverse Painting on glass, an art I was born into and lived with through my contacts with ancient Polish traditions that still survived in the villages and the Mountains of my homeland. I discovered the forgotten techniques and even reinvented them to fit modern technologies and still preserve the soul of the Ancient Ones.

Everything Else, Media, Perspective, PNCC, Poland - Polish - Polonia, , , , , ,

Catching up

On some older news in my inbox:

The irony

From Reuters: Republicans urge Obama to roll back “Buy American”

Republicans urged President Barack Obama on Thursday to roll back “Buy American” provisions of this year’s economic stimulus package that they said were delaying public works projects and costing American jobs.

“Clearly these provisions are creating problems for our domestic companies and employees that must be addressed,” Representative Wally Herger said at a “roundtable” Republicans organized to hear industry concerns about the measure.

Representative Kevin Brady urged the White House to exempt state, county and city governments from the Buy American requirement “so that we can get those dollars working, create these jobs, get these projects in place and move this economy.”

The Buy American provision included in the $787 billion economic stimulus act requires all public works projects funded by the bill use only U.S.-made goods.

As a result, many local jurisdictions receiving Recovery Act funds are faced with ensuring that their projects comply with the Buy American mandate.

That’s not as simple as it sounds because many products contain components from around the world.

Groups calling for changes in the Buy American provisions include the U.S. Chamber of Commerce and the Emergency Committee for American Trade, which together represents most of the biggest U.S. companies.

They said they feared other countries would retaliate by passing their own “buy domestic” provisions, as Canadian cities are threatening to do because their firms are being shut out of U.S. stimulus projects.

So, don’t do anything to stimulate and create manufacturing jobs in the U.S., and ensure those jobs keep getting shipped off-shore, while at the same time you decry the immigrant for “stealing” the last McDonald’s job left in the U.S.. Complete hypocrites.

On Ukrainian history:

From The Day: Mazepa: Architect of European Ukraine?

…Peter I’s Russia found its ideal dimension in Imperium, a —great form— with its inertial imperative of constantly developing supranational schemes aimed at compressing all conquered space into a single ideological whole.

Victorious as it was, Peter I’s Russia built its society out of —subjects— and —serfs.— Defeated as it was, Mazepa’s Ukraine was potential society of citizens.

Mazepa’s Ukraine had thus taken a resolute and decisive step in the direction of Europe at a time of anti-absolutist revolutions. Peter I’s Russia realized itself in an imperial structure whose messianic concept was generally anti-European.

It was a bolt of lightning that split the family tree of Old Rus’. Since then the confrontation between Ukraine and Russia has been systemic and conceptual. The gist of this confrontation is that Ukraine was not an obedient territorial unit open for colonization. Ukraine was Europe’s last bulwark retaining a political tradition that was absolutely unacceptable for Russian absolutism and thus very dangerous for centralized governance. It was a republican tradition. Rooted in the philosophic legacy of European culture, this tradition became the basis of the Ukrainian idea, i.e., a republican and consequently national idea, which has since been in opposition to the Russian Idea as an imperial and consequently immanently supranational one…

It is a complex article which attempts to draw the currents of the Reformation, Humanism, Orthodoxy, Polish-Ukrainian history, and the Khmelnytsky revolt into one large bundle giving rise to Mazepa’s movement. I’m really not sure how the Reformation and humanism play out here. I would ascribe the influence of Cossack independence and self-determination as well as the philosophies already existent in the Polish-Lithuanian, (later Ruthenian) Commonwealth. Those philosophies were already well settled, and well known in the Ukraine, when the rest of Europe met the Reformation and the advent of humanism as a philosophy.

Learning about your new neighbors:

From the Times: Polska! Year comes to London

Slap-bang in the centre of Warsaw there’s a striking neo-Gothic skyscraper called the Palace of Culture. Poles are forever debating whether to demolish it —” it was a gift from Stalin, whose memory is not lovingly tended in these parts. But they could equally well celebrate it. Within its imposing walls it hosts three theatres, a cinema, bars and museums. What other capital city’s most prominent edifice is an arts centre? —Theatre is the national sport,— says Piotr Gruszczynski, a critic and dramaturge at the high-flying Nowy Theatre. —Poles still believe that theatre can change the world.—

Britons can now enjoy the fruits of this devotion in the form of Polska! Year, a 12-month arts festival that cashes in on the wave of immigration that has left Brits eager to know more about our new neighbours. Poland, we’re being told, is no slumbering ex-Soviet satellite, but Europe’s sixth-biggest country and a star in the international arts firmament.

…—Poland needs to kill its idols,— says Katarzyna Szustow, one of a triumvirate now running the Dramatyczny Theatre, based in the Palace of Culture. Here they like their drama more political. In the 19th century, Szustow says, when Poland was partitioned between Germany, Russia and Habsburg Austria, —it was to the theatre that you went to hear Polish spoken. Then, under the Soviets, theatre was the focal point of dissent. Post-1989 theatre was suddenly meaningless —” the real ‘theatre’ was happening in the public sphere.—

The remaining taboos in Polish theatre include homosexuality and Poland’s relationship with its Jewish population. The former is broached by Szustow’s new regime, which programmes live art about gender and the body; the latter by a new play at the National Theatre in London, Our Class by Tadeusz Slobodzianek. His play, which confronts the country’s complicity in Second World War atrocities, hasn’t been staged in Poland —” Slobodzianek is loath to apply for state funding because of the controversy it would generate. All theatres are state-funded and highly bureaucratic, which means plenty of activity, but a lack of flexibility.

The only other taboo is laughter. —Making comedy in Polish theatre means you are not an artist,— Gruszczynski says. He’s exaggerating —“ perhaps for comic effect. But for Britons striving to reduce our own theatre to a branch of the leisure industry Polish drama takes some getting used to. And yet, the sense of a thriving, passionate scene, and of a younger generation exploiting the public role theatre has retained from the Soviet years is exhilarating. If Polska! Year can communicate that excitement, its shows will be well worth seeing.

A fitting tribute:

Dr. Jerzy J. Maciuszko – Ambassador of Polish Culture and one of the most dedicated members of the Kosciuszko Foundation by Olga Teresa Sarbinowska

Those of us who were raised in Communist Poland have much in common. We are direct, act with a characteristic ease, and we tend to pay little attention to manners. The Polish post-war generations stand in direct contrast to the Polish pre-war intelligentsia. To many of us the pre-war intelligentsia is an abstract notion often associated with rigid etiquette and snobbism. When at the end of the eighties I arrived in Cleveland, the first representative of Polonia who reached out to me was Doctor Jerzy Maciuszko, a charming, courteous man full of gentleness, humbleness, politeness, and inherent high culture.

A Warsavian by birth, Jerzy Maciuszko, is a 1936 graduate of the Department of English Language at the University of Warsaw. He began his American career in 1951 as a lecturer of Polish Literature at Alliance College in Pennsylvania. Soon thereafter, he moved to Cleveland where he enrolled in the doctoral program in library sciences at Case Western Reserve University and worked in the department of foreign literature at the Cleveland Public Library. Upon defending his Ph.D. dissertation, Maciuszko was promoted to director of the prestigious John G. White Department at The Cleveland Public Library and continued his academic career teaching Polish literature at Case Western Reserve University.

In 1969, Dr. Maciuszko accepted the position of Chairman of the Slavic Studies Department at Alliance College in Pennsylvania. It should be noted that Alliance College was established by the Polish National Alliance. An informational brochure published by the College at the beginning of the seventies explained that “Slavic studies” at most American universities amounted to “Russian studies” while at Alliance College the emphasis was on “Polish studies.” …

Unfortunately in 1974 Dr. Maciuszko left Alliance College and returned to Cleveland where he accepted the directorship of Baldwin-Wallace College’s Ritter Library. Soon after his departure, Alliance College, together with the Center for Polish Studies, closed down. The magnificent Alliance College campus was sold out and the entire complex was turned into a women’s prison.

Accepting a position as the library director at Baldwin-Wallace College, Professor Maciuszko seemingly departed from his involvement in the Polish cause. However, this was not the case. He plunged into the life of Polonia like a missionary driven by an inner fire. He wrote, published, became active in many Polonia organizations, and quickly established himself as a foundation of cultural and intellectual life for the Polish-American community in Cleveland… Furthermore, as an active member, he was involved with the Polish Institute of Arts and Sciences in New York, Polish-American veteran organizations in Cleveland, the Association of Polish Writers Abroad, and the Association for the Advancement of Slavic Studies, and others.

As a writer, Dr. Maciuszko dedicated his works primarily to Poland and Polonia. Since 1957, he has been publishing reviews of Polish literature in the quarterly World Literature Today. Reviews by him also appeared regularly in The Polish Review and other leading literary journals. In addition, as a prolific writer Dr. Maciuszko has authored numerous forewords and commentaries to various editions of classical literature. …

This prominent Cleveland Pole also wrote a chapter entitled “Polish Letters in America” for the book Poles in America, Frank Mocha, editor (Worzalla Publishing Company, 1978), as well as a chapter entitled “Polish-American Literature” for the book Ethnic Perspectives in American Literature, Di Petro, editor (Modern Languages Association of America, 1983). Numerous encyclopedic entries on Polish writers and poets authored by him appeared in Encyclopedia of World Literature in the 20th Century (Unger Publishing Company, 1975). The Encyclopedia of Cleveland History, John Grabowski, Editor (Indiana University Press, 1987) included an entry by Dr. Maciuszko. He was also a founding member of Choice, the official journal of the Association of College and Research Libraries (ACRL). Choice was first issued in 1964, and since then Dr. Maciuszko has been a regular contributor, writing primarily reviews of Polish literature. He also has served as Chairman of the Slavic Division within ACRL organization.

In 1969 Dr. Maciuszko published The Polish Short Story in English; A Guide and Critical Bibliography (Wayne State University Press). This compendium consisted of summaries of Polish short stories published in English. The work was published within the Millennium Series of the Kosciuszko Foundation. Professor of Polish Studies at Columbia University, Dr. Anna Frajlich, called the book “a monumental work indispensable to all American teachers and students of Polish literature.”

A most puzzling fact is that a significant literary achievement of Dr. Maciuszko’s, to this day, remains completely unknown. To solve this mystery we must travel back in time to the beginning of World War II. In August of 1939, twenty-six-year-old Maciuszko was a member of one of the first military units to stand up to the Nazi war machine. Unfortunately, on September 4th, he was taken prisoner of war, and for the next five and a half years he remained in the German POW camps.

In 1943, the international Young Men’s Christian Association (YMCA) headquartered in Geneva announced a literary contest among all prisoners held in German POW camps. At night, by candlelight, after an exhaustive work day, while his comrades slept, Maciuszko wrote a short story which he entitled Koncert F-Moll (Concerto in F-minor). He was thrilled to find out later that it had been selected as a winner.

In 1974, an American professor wrote in a letter of recommendation that Dr. Maciuszko “still maintains his old-world dignity.” Never giving in to the pressures of the American culture, he has remained faithful to the ideals of his upbringing. Having known Dr. Maciuszko and his wife, Dr. Kathleen Maciuszko, throughout the years, I rediscovered the charm and splendor of Polish pre-war intelligentsia, this culture of mine that at first appeared very distant and incomprehensible, the culture that has been almost lost and forgotten. Today, I greatly value this engaging courtesy coupled with refined dignity and tremendous kindness. In today’s world of aggression, courtesy and kindness are invaluable assets. I salute Dr. Maciuszko for being able, against all odds, to preserve the most precious qualities of the Polish culture and pass them on to the next generations.

Zeal:

From Pew: The —Zeal of the Convert—: Is It the Real Deal?

A common perception about individuals who switch religions is that they are very fervent about their new faith. A new analysis by the Pew Research Center’s Forum on Religion & Public Life provides quantitative support for this piece of conventional wisdom often referred to as the “zeal of the convert.” The analysis finds that people who have switched faiths (or joined a faith after being raised unaffiliated with a religion) are indeed slightly more religious than those who have remained in their childhood faith, as measured by the importance of religion in their lives, frequency with which they attend religious services and other measures of religious commitment. However, the analysis also finds that the differences in religious commitment between converts and nonconverts are generally very small and are more apparent among some religious groups than others.

One of the most striking findings of the U.S. Religious Landscape Survey, conducted by the Pew Forum in 2007, was the large number of people who have left their childhood faith. According to the survey, roughly half of all Americans say they have left the faith in which they were raised to adopt another faith or no faith at all, or if they were not raised in a religion, they have since joined one.

The new analysis finds that, overall, people who have switched religions consistently exhibit higher levels of religious commitment than those who still belong to their childhood faith, but the differences are relatively modest…

After joining the PNCC I went through strong convertitis. Affects others more strongly than others I suppose.

In Bridge news:

From the NY Times: Polish Wroclaw Team Blitzes, Winning Universities Title

The first European Universities Championship was played in Opatija, Croatia, from Oct. 4 through last Saturday. The 22 teams from 11 countries (Poland sent 7 teams) played a 10-board round robin.

With one round to go, Paris led Wroclaw-1 by 2 victory points. Paris played against Krakow (lying 15th), and Wroclaw-1 faced Munich (13th).

The final match started well for Paris. On Board 21 the Krakow East-West pair misdefended to let three no-trump through, giving Paris 13 international match points. And on the next deal this same Krakow pair missed three no-trump that was made at the other three tables in these matches, giving Paris another 10 imps.

On the penultimate board Wroclaw-1 gained 5 imps and Paris 7. So Paris needed a big swing on the final deal, but it was a dull three no-trump where the only fight was for an overtrick.

Paris had prevailed in its last match by 18 imps, which gave the team 20 victory points, but Wroclaw-1 had won a 38 to 0 blitz, gaining 25 victory points and the gold medals by 3 victory points.

The winning team comprised Zatorski, Nowosadzki, Wojciech Gawel and Piotr Wiankowski.

Bridge is hugely popular in Poland.

Everything Else, ,

Our veterans

From Hudson Reporter: Keeping the traditions alive: Veterans’ posts seek younger vets

Bayonne has a long history of being one of the most patriotic cities in America. Men and, more recently, women from Bayonne have often been among the first to volunteer when the nation faces a military threat. Testifying to this is the fact that the city has 12 active veterans’ posts.

Yet, as patriotic as Bayonne is —“ with men and women still shipping out from Bayonne to help defend the country —“ membership in these posts is declining. This is because most of the members of these posts are getting old or dying off, and newer veterans from wars such as Vietnam, Desert Storm, Iraq, and Afghanistan are not joining.

While some of the posts still have a number of members on their rolls, they often operate with a core group who attend meetings regularly and bear the burden of civic events.

—We know there are younger veterans in town, and we’re trying to get them to join,— said Frank Perrucci, a World War II veteran.

National trend

This is, unfortunately, a national trend that has been going on since the late 1980s.

Veterans groups like those in Bayonne flourished after World War II, when posts served as a social network for those returning home from war, where men who had gone through similar experiences could gather and offer support for each other. But several studies done since the 1990s seem to indicate the these social networks are less appealing to younger veterans, even though these groups tend to form the backbone of lobbying efforts for veterans rights.

—The American Legion and the Veterans of Foreign Wars are the two biggest organizations in the country, and they fight for veterans’ benefits whenever Congress wants to cut them,— said Perrucci. —Posts like those in Bayonne are needed to support that effort.—

The bulk of members of these organizations come from World War II and the Korean War. Though some Vietnam War veterans have joined in recent years, many of these men and women are also beginning to age —“ most now in their 50s and 60s.

The most recent study done by the Indiana University Center on Philanthropy and the School of Public and Environmental Affairs said there are wide social gaps between younger and older veterans that appear to discourage membership. Older veterans groups, the study showed, tended to center around a tavern-like setting, where veterans play pool, trade stories and such, while younger veterans appear to want a setting where they can set up a laptop, drink coffee or play video games.

More losses

Although less an issue in Bayonne —“ where younger veterans received a warmer welcome coming home from wars over seas —“ in many parts of the country, the report said, older veterans groups actually closed their doors to homecoming veterans, an exile that lasted almost 20 years in some cases, creating an even greater social gap between younger and older veterans.

The study, which concluded in 2002, showed that almost half the veterans groups saw a deep dip in membership during the late 1990s, as the population of older veterans died off.

—We lost two veterans just this week,— Perrucci said on Nov. 4, when he and other veterans gathered for the wake of Frank Sullivan.

The study shows that as the number of World War II veterans dwindle, so does membership in the VFW and American Legion.

Federal statistics show that American Legion and VFW membership nationally declined 24 percent to 3.9 million, from 1995 to 1998…

Veteran’s Posts, much like other social clubs, are also falling prey to a narrowing of interests and the over specialization of group membership. Rather than focusing on the common interests of all concerned, likely members are advocating for their particular needs alone (and this includes older, long standing members).

If we look at the wider good achieved through the social linkages created in these clubs we recognize their benefit. Traditionally, groups like the Moose, Elks, Lions, and Eagles as well as veteran’s organizations brought together people from various social strata. They worked for each other, for what they held in common, and did a whole lot of good for the wider community. Hopefully people will recognize that what they hold in common is far greater than the difference between the tavern and coffee club lifestyles. There is room for everyone because in unity there is strength.

If you are interested in working together contact the VFW, American Legion, DAV, or the Polish Legion of American Veterans.