Day: February 8, 2010

Poland - Polish - Polonia, , ,

At Albany’s Polish Community Center

  • Friday, February 12: Polish-American Buffet 4-8pm.
  • Sunday, February 14: Tony’s Polka Band, Polish-American kitchen, cash bar 2:30-6:30pm.
  • Sunday, February 21: Capital USA Dance, Ballroom; Ballroom; Ballroom! (and refreshments). Music by Dan DeBennetto. Lessons by Eric Singleman. Class 6:15-7pm; Dancing until 10pm. Members $9; Non $12; College $5; Free under 18. Contact James DeForge at 518-233-0957 or by E-mail.
  • Sunday, February 28: Community Ballroom Dance, 6:30 – 10pm. Every fourth Sunday of the month and open to all Ballroom Dance enthusiasts. Enjoy a Cha Cha dance lesson at 6:30pm by Eileen Spadaro. General dancing begins at 7pm with music selections by Gary Burgess. At 8:30 pm, Thomas and Katherine Hourigan will dance a ‘Slow Waltz.’ Cost: $10 includes the lesson.

The Polish Community Center is located at 225 Washington Ave Ext, Albany NY 12205. Call 518-456-3995 for more information.

Perspective, Political,

U.S. ‘Catholic’ leaders take aim at Iran’s Christians

From Christian Newswire: Iran Sanctions Pass in Congress —“ Catholic Leaders Influential in Legislative Victory

These “Catholic” neo-con, more interested in politics than in Jesus, leaders seem to have forgotten how well sanctions and interventionist adventures worked against Iraq. Their warmongering, and the cheerleading they provided for the Bush regime, lead to the virtual destruction of Catholic and other Christian communities in Iraq as well as several thousands of American lives. Under Saddam, who was a secularist, Christian communities in Iraq were left in peace. Seems like these devils in sheep’s clothing (Matthew 7:15) want to set up what are left of the Armenians, Assyrians and members of the Chaldean Catholic Church of Iran for martyrdom. All for the greater glory of Go… oh yeah, interventionist U.S. government escapades.

These leaders are all for a nuclear free Iran. Perhaps they should focus on a nuclear free Middle East – thus the purge of Israel’s nuclear firepower. But of course, the United States has to sell its children to war just to prop up one country. Ezra Waldman, writing an opinion piece in the Albany Time Union asks:

Does [Ms. Hotaling] suggest that we cease supporting Israel? Whom would she support? Should we back Iraq, Iran, Saudi Arabia, Jordan, Egypt, Syria, Yemen and others?

How about this for the most simple, easy to understand answer… support no one, trade equally with all, and never ever intervene. If we were to do so, pulling completely out, the terrorism problem would disappear overnight.

Perspective, Political, ,

Libertarian faith

From Christian Newswire: Lithuanian Priest and Free Market Advocate to Receive Acton Institute’s 2010 Novak Award

Lithuanian scholar and Roman Catholic priest, Fr. Kstutis Kevalas, is the winner of the Acton Institute’s 2010 Novak Award.

During the past nine years, Fr. Kstutis Kevalas has initiated a new debate in Lithuania, introducing the topic of free market economics to religious believers, and presenting a new set of hitherto unknown questions to economists. Fr. Kevalas is a respected figure and well known expert on Christian social ethics, the free market, and human dignity to the people of his home country. In addition to his active work as a speaker and pastor at national events, he serves as a lecturer on moral theology at Vytautas Magnus University in Kaunas, Lithuania.

After studies at the Kaunas Priest Seminary and St. Mary’s Seminary and University in Baltimore, Md., Fr. Kevalas was ordained to the priesthood in 2000. In 2001, he received his Licentiate Degree in Theology writing the thesis “Catholic Social Teaching and Economic Development: A Case Study of Lithuania.” He received his Doctorate in Sacred Theology with his thesis on “The Origins and Ends of the Free Economy as Portrayed in the Encyclical Letter Centesimus Annus” in 2008.

Named after distinguished American theologian and social philosopher Michael Novak, the Novak Award rewards new outstanding research by scholars early in their academic careers who demonstrate outstanding intellectual merit in advancing the understanding of theology’s connection to human dignity, the importance of limited government, religious liberty, and economic freedom…

Art, , , ,

Forged Power at the Arizona State University Art Museum

Forged Power is an ASU Art Museum Moving Targets Initiative featuring the work of Ferran Mendoza, Alvaro Sau and William Wylie. The exhibit will be at the Arizona State University Art Museum from February 20 —“ May 29, 2010.

Friday Conversations @11 series, Feb. 19
Spring Season Reception, Feb. 19 from 7-9pm

Ferran Mendoza & Alvaro Sau, Outdoors, High Definition Video, 2009
William Wylie, Carrara series, Cavatori, The Block, Dust, Friction, Digital Video, 2006

In the digital age, the way we engage with physical work has shifted drastically. Such shifts are not new and have occurred over the course of human history – from the invention of simple tools, to the industrial revolution, to our current digital society. But as technologies continue to advance, our control and power appear to diminish, not only in our work, but also of our bodies. The body’s relationship to work continues to be less physical. We use mechanical arms to lift both heavy and light objects into place, and vacuums now roam floors on their own. A document that once took the entire use of one’s arm to handwrite can now be created with light touches of computer keys. With voice activation and eye-tracking technologies entering the mainstream consumer market, the hand may soon be removed altogether from the process of work.

Spanish artists Ferran Mendoza and Alvaro Sau traveled the Basque-French border region. The artists refer to it as —this kind of frontier land which we call the outdoors,— a territory of Europe where the —most archaic ways of living coexist with the omnipresent industrial world.— Using their cameras, Mendoza and Sau captured, in high definition video, the residents of this seemingly isolated region in their daily routines and surroundings. The result of their journey is the video OUTDOORS (2008), a 56-minute work that delivers a composition of portraits. These portraits provide fleeting glimpses of individuals who take pride in their independence, work and knowhow. Their knowledge of their tools, their environment and how their bodies interact with each is clear and poetic; they perform their tasks as if every specific activity or action has been choreographed.

In the historic quarries of Carrara, Italy, the cavatori (stonecutters) have worked for centuries excavating large slabs of white marble from the earth. Through a fellowship exchange, artist William Wylie was provided the opportunity to spend time observing the everyday operations and interactions of the men who work in these famous quarries, the very quarries used by artists from Michelangelo to Louise Bourgeois. What at first appears to be a focus on machinery is soon realized to be a study of human activity and control. While trucks and machinery within these digital videos appear to struggle and battle to complete tasks, the cavatori work with their hands – making precision measurements and chiseling slight grooves. The artist captures in his Carrara series, Cavatori, The Block, Dust, and Friction (2006), the gestural engagements of the hand and body as the stonecutters work together, using signals and whistles, to coordinate their movements within the noise and chaos of the industrial site. Together these four videos demonstrate that the actions of work can be perceived as beautiful in and of themselves.

The individuals captured in these videos control their own actions by working with their hands and bodies. They do more than just push a button; they exert human energy and create an effect through the power of their own body. Retaining the capability of doing work or accomplishing tasks with the use of the physical body, their forged power is a reaffirmation of human capability.

William Wylie will be in attendance at ASU Art Museum to present a free lecture on a yet to be determined date. He will also meet with students and classes while in Tempe.

Curated by John D. Spiak, Curator, ASU Art Museum.

The exhibition and programs are generously supported by Helme Prinzen Endowment, ASU Art Museum Advisory Board, ASU School of Art and the Department of Photography, and Northlight Gallery at ASU.

Arizona State University Art Museum
Mill Avenue @ 10th Street
Tempe, AZ 85287-2911

Poland - Polish - Polonia, , , , , , , ,

Chopin’s 200th

2010 marks the 200th anniversary of Fryderyk Chopin’s birth. In honor of the occasion iTunes is highlighting Alice Sara Ott’s album of Chopin waltzes. You can take a sample listen at the iTunes website.

Fryderyk Chopin was born March 1, 1810 at the village of Żelazowa Wola, in the Duchy of Warsaw. He was regarded a child-prodigy pianist. He left Poland for good on November 2, 1830 for a trip to Italy. The outbreak of the Polish November Uprising seven days later, and its subsequent suppression by Russia, led to Chopin’s becoming one of many expatriates of the Polish Great Emigration.

Settling in Paris, Chopin worked as a composer and piano teacher, while giving few public performances. Chopin remained an ardent Polish patriot throughout his short life. For the greater part of his life Chopin suffered from poor health; he died in Paris on October 17, 1849 of pulmonary tuberculosis.

Chopin’s compositions, of which there are over 230, were written primarily for the piano as solo instrument. Though technically demanding, they emphasize nuance and expressive depth rather than sheer virtuosity. Chopin invented musical forms such as the instrumental ballade and was responsible for major innovations in the piano sonata, mazurka, waltz, nocturne, polonaise, étude, impromptu and prélude.

Alice Sara Ott, a German-Japanese pianist, was born in Munich in 1988. Her second compilation, noted above, is a series of complete waltzes by Frederic Chopin.

The following is Piosenka litewska from Chopin’s Polish Songs, Op. 74