From ArtDaily: Miroslaw Balka to Undertake Next Commission in The Unilever Series at Tate Modern

LONDON.- Tate and Unilever announced that the Polish artist Miroslaw Balka will undertake the tenth commission in The Unilever Series for the Turbine Hall at Tate Modern (13 October 2009 —“ 5 April 2010).

Born in Warsaw, Poland in 1958, Balka lives and works in Warsaw and Otwock. This will be the artist’s first public commission in the UK, which will be unveiled on Monday 12 October 2009. Miroslaw Balka is one of the most significant contemporary artists of his generation. His work has had critical acclaim both in this country and internationally. Comprising installation, sculpture and video, Balka’s works explore themes of personal history and common experience drawing on his Catholic upbringing and the fractured history of his native country, Poland. Intimate and self-reflective, his works demonstrate his central concerns of identifying personal memory within the context of historical memory.

In works such as Oasis (C.D.F.) (1989), he suggests a domestic setting in which the daily rituals of human existence are played out. Eating and sleeping, love and death are evoked using materials which have a particular resonance for Balka such as milk, wooden planks from his childhood home and pine needles salvaged from the tree that grew outside his window. In this work dedicated to the German Romantic painter Caspar David Friedrich, Balka invokes both the spiritual and the everyday.

Central to Balka’s work is the use of materials of humble quality such as ash, felt, soap, salt and hair to give a sense of spirituality through their association with lives lived and memories left behind. Salt, for example, alludes to human emotions in the form of sweat or tears, whilst soap evokes the intimate yet universal daily rituals of cleansing as explored in Hanging Soap Women (2000), in which used bars of soap donated by women are strung together on a wire. In the installation, 190 x 90 x 4973 (2008), Balka constructs a wooden walkway with walls measuring 190cm high (the artist’s height) without any ceiling and made from simple common building materials such as plywood, creating a claustrophobic tunnel with no visible destination.

Memorials play an important role in Polish society but also in Balka’s personal experience —“ his grandfather was a monumental stonemason and his father an engraver of tombstones. His early performances and sculpture referred to his experience of the rituals of Catholicism, perhaps made more intense in a country where religion was repressed…

I would love to see this. If we reflect on this work we see the underlying Catholic connection – the communion of saints, the Church triumphant. It is our connection, raw and closest to the heart, seen through eyes of faith, made beautiful.

For more information visit the Tate

Also from the Tate: Symbolism in Poland and Britain from 14 March to 21 June, 2009.